A well constructed film does not feel rushed in a shorter run time.
I like long films, like really long ones. Ones where the length is part of the experience. For example, I loved Apocalypse Now Redux.
What I don’t like is films that are substantially longer than they need to be. I don’t want them pared down, I want them built around the format their story suits rather than padded out. I like breathing room (mostly!) but it’s a fine line to walk.
A good film opening gets on with things quickly, getting the viewer up to speed, but too often I find myself quoting Springfieldians from Marge vs. The Monorail - “GET TO THE MONEY!”
A well constructed film does not feel rushed in a shorter run time.
I like long films, like really long ones. Ones where the length is part of the experience. For example, I loved Apocalypse Now Redux.
What I don’t like is films that are substantially longer than they need to be. I don’t want them pared down, I want them built around the format their story suits rather than padded out. I like breathing room (mostly!) but it’s a fine line to walk.
A good film opening gets on with things quickly, getting the viewer up to speed, but too often I find myself quoting Springfieldians from Marge vs. The Monorail - “GET TO THE MONEY!”
A well constructed, long, film also doesn’t feel long
True, but it’s a lot easier for me to find 90 minutes than 180 minutes on a weekday night.